I can't seem to find time for LJing. Still working crazy overtime. I have done some non work-related activities lately...all involving dance of course. :)
On February 16,
Erika held a charity hafla at Pineapple to benefit newborn triplets whose mother died in childbirth. Gypsy Queen Giselle & I did tribal group improv to "Mama" by Khadja Nin, a beautiful african fusion song thanking mothers for all that they do (Nin's
video). My solo was a fusion improvisation with scimitar to a cool tune by Arab jazz ensemble Zaman 8 (
mp3). I also did a pharonic piece with the rest of Erika's Level 2 students. Other perfomers included
Guitar Circle of Chicago, Gaia Rising,
Kimahri, Kate, Nathalie & Erika.
The next day
Danielle Meijer taught a workshop on Indonesian temple dancing and Indian court dancing. This was the second such 'shop she'd done at Pineapple. Very different from any other dance form I've done. Some of the movements could probably be adapted to tribal improv. We shall see.
This past Saturday I did workshops with
Aziza of Montreal. The morning session was drills & conditioning for dancers, which y'all know I LOVE. I was happily surprised to learn that Aziza has studied with Suhaila Salimpour. Yay for belly bootcampers! The afternoon session worked on emoting. Aziza had us improvise and would hold up signs with emotions for us to express while dancing. Besides the obvious ones--sensual, dreamy, longing, ecstatic, amazed, etc--she also includes some odd ones like disgusted, dejected, worried, sly, and angry. Sly was pretty fun (hey, I did that for my fusion solo at Erika's hafla). We did several variations on the exercise, including have some dance while others guessed which emotion was being expressed. There was also a taxim exercise where we improvised to only the drums, or only the melody, or both using different parts of our bodies. She also taught a couple combos, but as usual there were way too many people crammed in to really see or do them. No matter, even had I learned them perfectly I'd have to chats_noirs-ify them for performance.
In the seminar show, Erika, Kate & I performed a theatrical pharonic piece created by Erika. We wore identical blue & white costumes, pharonic-inspired collars & bracelets, and wigs & eye makeup (think Liz Taylor in Cleopatra). I never would have thought the three of us--a short brunette, an average blonde & a tall redhead--could look so alike. None of us remembered to bring a camera. Hopefully some of the photogs in the audience will pass along pictures that I can share. Other performers included Aziza (damn, can she shimmy), hostess
Sonya & her student troupe,
Gina of Atlanta, Danielle Meijer,
Shahina, Kimahri & her student troupe, and
Galatea. A troupe who shall remain nameless did a "new & different look at Mohamed Ali Street"--
O RLY? Well as they say, imitation is the sincerest form of flattery.
On Friday Gypsy Queen Piper & I will dance to "Mama" at Shimmy for the Cure, a charity hafla to raise money for breast cancer research. We'll be improvising a basket dance this time. Let me tell you, using tribal group improv repertoire while balancing and holding a basket is a great brain exercise. More options than with sword, less than with no props. Fun! At least if a basket falls, no one gets hurt.
I have two sample costumes from Pharonics of Egypt at home and I have to decide by 6:30 which, if either, I'll buy. They both seem too large (the tops are boxy & the hip wraps insist on slipping down as if my hips weren't even there...the bras fit perfectly however). I'm not a seamstress so I have no idea if they could be easily altered. I'm guessing no since they are encrusted with beads, sequins, fringe & other gewgaws. They are very spendy. I wish I could try them on in front of someone who could give me advice and tell me if they are flattering, but Erika is teaching in the city this evening & I have to leave the reject(s) at the studio tonight so she can return to the vendor tomorrow. Don't know what to do! Waaaah!